By Michelle Stannard
Conquering debt for Debt Awareness Week
By Michelle Stannard
Volunteering, free labour or a lifeline?
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| Picture by: Anil Parmer, Poached Creative's fifth birthday party |
Explain yourself
You know how it is. You've been working flat out on a project, service or new venture for months, maybe years. You know it's good. You know people will want your services. You've got everything ready to go except...
How do you describe it in writing?
There'll be plenty of times you'll be asked for a sentence or two to describe your organisation. It will need to be compelling and get straight to the point. Marketers refers to this as the 'core message' or 'core description' and it is closely linked to your elevator pitch and your visual identity.
You've most likely developed some patter to intrigue that dreamt-of funder in a lift and you've quite likely got a fairly straight-forward way of explaining what you're up to to your mum. But when it comes to putting it in writing it can still be difficult to capture exactly what you do.
Your core message could be captured in a few different forms.
Strapline - explains your proposition in just a few words, eg, Tesco's "Every little helps" or Cancer Research UK's "Together we will beat cancer". Straplines need to be exceptionally strong and accurately reflect what you do.
Short description - how you would normally describe your organisation and what it does. A short description should be no more than two short sentences and would likely appear on your website homepage or on your 'about us' page.
Long description - a full description of your organisation and its services. This might include bullet points of the areas that you work in and describe a bit more about who you work with.
Key messages - things you want your audience to know about you, different aspects of your services, and what makes you different or unique. You may have several key messages that can be weaved into any communications materials you produce.
1. Identify your core audience
Now, anyone who knows me will know that I'm always carrying on about the audience but this is absolutely crucial. If your market is business start ups, there's no point describing your services to them in the same way that you would to your bank manager or to funders. Think about who the core audience is and focus on them. What words would they use to describe their need and the solution you provide?
2. Think about your words - carefully
The way you describe things within your organisation is often not the best way to communicate them to outsiders. And the words that seem perfectly obvious to you might have unintended meanings in a different context. For example, would you really want "engaged staff" or "green" airline passengers? Think about all the possible interpretations before you settle on something.
3. Get outside help
If it's your project, chances are you won't be able to get enough distance from it to explain it clearly to the uninitiated. If possible, budget for specialist help (from an organisation like Poached, for example). You'll find that a new, professional perspective can really simplify and clarify what you're trying to say. Regardless of whether you get help or if you try to tackle it yourself, you will need to test your words out on as many people as you can - particularly your intended audience.
4. Decide on something and stick to it
Tweaking the way you describe yourself too often will make you look disjointed and confused. Over time, organisations do evolve different ways of describing themselves but make sure your published descriptions (on your website and on your latest leaflet, for example) match up. If you do have a few distinct audiences and you want to tailor a description for each, great, but make sure it's clear who each description is for. Also, try to always use the some common elements in each.
5. Create a style sheet so there's no doubt
All media outlets and large companies have style guides so why shouldn't you? Having a style sheet will help you and your staff to remain consistent, which will strengthen your brand. (It doesn't have to be as comprehensive as the The Guardian's free online style guide.) Agree within your organisation on the dictionary you will defer to (www.askoxford.com provides a good online version) and put in writing little points such as how (and if) you abbreviate your company name, whether you prefer to use the less formal "we" and "you" in business materials, and any other common terms.
Of course there's a lot more to it that this, but this should give you an idea of how to start thinking about describing your organisation in writing. If you'd like further advice or help from Poached Creative, please contact us.
Don't forget to pause: reflecting on the Poached pilot
It wasn't until the following week that I finally managed to move in to the Wood Green office and this was only because I took the Tuesday off work to go and sit outside the office manager's door until he had a chance to see me and approve the move. All this served to teach me that partnership working is difficult and other people have different priorities to you. It works when you manage to bring them into alignment.
It's about people, stupid
But Poached wouldn't be where it is without partnerships. CDG has been fantastic to us. I maintain that we had the best room in the (rather rabbit-warren-like) building. We had natural light and windows we could open. We had use of desks, chairs and a flip chart holder, and our own kitchen. They were always enthusiastic about the Poached idea and were a great source of people who wanted to take part in my programme. Brij was a CDG recruit, for example, and so was Chris I.
Over the six months I've built up good relationships with the two placement managers I've worked alongside and other office staff who would go out of their way to help me get things set up and sorted out. On my final day of Poached last week I said farewell to the CDG offices with a hint of sadness, but knowing that the personal relationships I've made there will continue to work to both our benefit.
Camden Calling has been the other very productive partnership that sprung up over the six months. They received some UnLtd funding in the same round as Poached and I immediately warmed to Alex and her vision of giving vulnerable people access to the mainstream gig scene in London. I suggested that Poached could help with some of the communication - their newsletter for example - and Alex sent me Chris W who took to the programme like a (poached) duck to water. They also sent us Dan, their illustrator, who soaked up the design training Chris G provided with palpable energy and enthusiasm.
Our connection with a Hackney-based youth information website couldn't have come at a better time. Chris W was coming to the end of his second six-week stint and in need of a new challenge. His interest in music and journalism and his upbeat, characterful writing style made me think that a youth website where he'd get to interview top performers and enthuse others would be right up his street. A mutual ally, Sally from vInvolved, introduced me to Lucy from What's Up Information and we immediately knew wanted to work together. Chris is now happily volunteering for What's Up and Poached will be moving into their creative office space in Hackney in a few weeks.
I can't finish this part of the post without a mention of my first trainee, Angela, who is now doing a three-month internship with Save the Children. She has been with Poached since that first day in Wood Green library and each week we'd have lunch together, discussing life, business and everything inbetween. She's been a fantastic support for me and enthusiast for Poached and I'm absolutely thrilled that she's landed the Save the Children opportunity in an extremely competitive market.
Change is the only constant
Which reminds me that Poached was conceived in a very different economic climate. When I first had the idea back in December 2007, the recession wasn't on anyone's horizon. Jobs in charity and public sector communications were rising and tackling long-term unemployment was a high Government priority because everyone else was looking alright. Fast forward to almost two years later and we've got the highest unemployment figures in 14 years, with the rise in youth unemployment the most worrying trend. On beginning the Poached pilot a year on from its conception, I realised that I needed to prepare people for work, but this might mean volunteering or part-time work rather than a stable full-time job. The focus had to change from employment to skills and getting people engaged in rewarding activities.
Funnily enough, this was no problem for some of my trainees. Chris W and Angela, in particular, wanted to ease their way back into work after severe personal breakdown. Being able to try a few different things, build their skills and confidence, and begin thinking about their future was more valuable for them than being forced into full-time work. Brij, too, was keen on volunteering and was surprised to learn that there were paid jobs in the charity sector that might suit him.
For others, it was work that they needed. Chris I and Rokeya were both very focused on teaching roles, which would be rewarding and offer a stable income. So their Poached programme focussed on improving their communication and writing skills in ways that will be useful to them in a classroom environment. We looked at different styles of communication, ways of structuring writing, and how to put your audience first. Chris I went straight from Poached into a teaching assistant role - all his own doing - and insists he'll use what he learnt in the classroom as well as in his spare time. He's writing a novel!
The ability to tailor what Poached does to help the individual turned out to be very powerful and I intend to keep this flexible, personal model in the next stage of Poached's development.
Keeping it real
Real work that mattered was also a theme that kept coming up throughout the evaluation. The trainees worked on case studies for NHS Jobs, web copy for Room2Heal, blogs, web and promotional materials for Poached and newsletters for Camden Calling as part of their training. They learnt how to change their tone and style to fit the client and the audience. They got to practice writing for a range of different mediums and channels. And they got to see the value of their work to others. What's more, they will all end up with a published piece of work to put in their portfolios.
Poached trainees produced work they could be proud of because we insisted on quality. Constant feedback, explanations and revisions meant that the learning, and the improvement, was tangible. But yes, this takes time. What I've learnt is that time really does equal money and I need to find a way of funding the training time so that we can keep the costs of our commercial work competitive. Looking at the models for doing this, and finding new funding streams, is going to be my next task.
New growth
So Poached is entering a new phase that feels a little like starting all over again, but armed with the knowledge and evidence to propel us to the next level. I know I need to pause and reflect on everything we've learnt so far to inform our development over the next few months. It feels a bit uncomfortable, because my natural tendency is to forge ahead, but I'm taking a couple of weeks to get my thoughts together and renew my energy before ploughing on. Sensible huh? Stay tuned for more adventures and keep in touch.
Jess at poachedcreative.org.uk
People, bureaucracy and making things happen
1. Things rarely go to plan. Take for example (one of many) my 'next day delivery' PC which was supposed to arrive in the office last Wednesday. A week later I'm still trying to get it delivered in time for Thursday's training.
2. People need chasing. This is true no matter how willing they are to help or how much they want your services. Even your most dedicated supporters and useful contacts need you to chase them because your priorities, by and large, are not the same as their priorities.
3. Bureaucracy takes time. The larger the organisation, the more time you have to allow to get things done. Oh, and the more chasing too - see point 2 above. This doesn't mean you should give up on working with larger organisations. Just that you need to plan ahead and plan for things not going to plan - see point 1 above.
4. It's hard to make things happen. Really hard. Imagine trying to push something really heavy - like a car. Even though it's on wheels you still need a tremendous amount of effort to get it to budge in the first place. Once it's moving things get easier but you still have to maintain momentum or it will stop. This is what it's like.
The upside of all this is that once you get into the habit of making things happen, quite often you'll find that things start happening around you all the time.
One of my inspirations for going into social enterprise was Andrew Mawson, who established the Bromley-by-Bow Centre and wrote a fabulous book about it called 'The Social Entrepreneur'. This first-hand, lively account of crashing through bureaucracy to create something that turned around the lives of the people in his community proves that the social entrepreneurial method of 'learning by doing' is an effective way of making things happen.
I try to apply a little bit of his wisdom in all my dealings with people, bureaucracy, and even the barriers I unconsciously put in my own way.
As Andrew Mawson says: "It is important, simply, to be open and alive to possibility, to encourage people rather than to be suspicious of them, and to see the potential for success rather than the potential for failure."

